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SOLO + TWO-PERSON
EXHIBITIONS
2017
44, Carole Calo Gallery, Stonehill College, Easton, MA
Resonance, Woonsocket, RI; city-wide public art event

2016
Sweetheart of the Rodeo, The Annex, Boston University, Boston, MA
Ask the Sky: Baker Bridge Road, MINUS SPACE, Brooklyn, NY
Hey Sunshine, Liliana Bloch Gallery, Dallas, TX
SONG, Saint-Gaudens National Historic Site, Cornish, NH
Sources, Mazmanian Gallery, Framingham State University, Framingham, MA
Rocket, RAYGUN Projects, Toowoomba, Australia

2015
Pink, Drive-By Projects, Watertown, MA
A Kind of Body-Heaven
, The Cliff Gallery, Mountain View College, Dallas, TX; Curated by Liliana Bloch
Winter King Hawthorn, Providence International Arts Festival, Providence, RI; Presented by The Providence Biennial for Contemporary Art

2013
Against the Velvet of the Long Goodbye, MINUS SPACE, Brooklyn, NY

2012
rhythm..distance, Cade Tompkins Projects, Providence, RI
Tangerine, Old Stone Bank, Providence, RI; Cade Tompkins Projects
Measuring a Summer’s Day, Museo de Arte Contemporaneo
de Oaxaca, Oaxaca, Mexico; Curated by Matthew Deleget + Emi Winter

2010
The Radiant Hour, The Chapin School, New York, NY; Curated by Cade Tompkins
Postscript, RISD Museum of Art, Providence, RI; a collaboration with Mary Paula Hunter
Kill the headlights and put it in neutral, Cade Tompkins Projects,
Providence, RI

2009
At the Seams, The Skydive, Houston, TX; Curated by Ariane Roesch
HousEART, Smith Hill Community Development Corporation, Providence, RI

2007
BEAT, MINUS SPACE project space; Curated by Matthew Deleget and Rossana Martinez

2006
Intellectual Rigor, Marymount Manhattan College, New York, NY; Curated by Millie Burns
The Gallery at 38 Cameron, Cambridge, MA

1996
Satan’s Ball, HERE, New York, NY

GROUP EXHIBITIONS
2017
Dual Currents, Ewing Gallery, University of Tennessee, Knoxville, TN
Pop Up Ptown, 444 Gallery, Provincetown, MA; Curated by Beth Kantrowitz
The Architecture of Limitless Delusion, Texas A&M Commerce University Gallery, Dallas, TX

2016
The Onward of Art, 1285 Avenue of the Americas Gallery, New York, NY; Curated by Karen Wilkin
Plastic Imagination, Fitchburg Art Museum, Fitchburg, MA; Curated by Mary Tinti
Chromatic Spaces, BMCC, New York, NY; Curated by Jonathan Lippincott
Ten Ways, RCM Galerie, Paris, France

2015
Minimax, Bullet Space, New York, NY; Curated by Tom McGlynn and Tenesh Webber
Fiber Optic, MINUS SPACE, Brooklyn, NY; Curated by Matthew Deleget and Rossana Martinez
On & On: Art Without End, Mark Miller Gallery, New York, NY; Curated by Elizabeth Keithline
Endless, Entire, FiveMyles, Brooklyn, NY; Curated by Rachel Nachman
10 Ways, Derbylius Libreria Galleria d’arte, Milan, Italy; Curated by Lorenza Sannai
And They Papered the Walls, Liliana Bloch Gallery, Dallas, TX
AAA 75th Anniversary Print Portfolio, Vanderbilt University Fine Arts Gallery, Nashville, TN

2014
Domestic Partnership, Liliana Bloch Gallery, Dallas, TX
AAA 75th Anniversary Print Portfolio, Sarah Moody Gallery, University of Alabama, Tuscaloosa, AL
Sensory Impact, Morgan Stanley Global Headquarters, Purchase, NY; Curated by Sarah Campbell
Contours, Four Corners Art Center, Tiverton, RI

2013
The 2013 deCordova Biennial,
deCordova Sculpture Park and Museum, Lincoln, MA; Curated by Lexi Lee Sullivan
Locally Made, RISD Museum of Art, Providence, RI; Curated by Jan Howard
The Language of Painting, Lesley Heller Workspace, New York, NY; Curated by Carol Salmanson
Light Conversation, Key Projects, Brooklyn, NY; Curated by Patricia Zarate
AAA 75th Anniversary Print Portfolio, Ewing Gallery of Art, University of Tennessee, Knoxville, TN
Dynamic Invention: American Abstract Artists at 75, Brattleboro Museum of Art + Art Center, Brattleboro, VT

2012
MINUS SPACE en OAXACA, Instituto de Artes Gráficas de Oaxaca, Oaxaca, Mexico; Curated by Matthew Deleget + Emi Winter
Notations: The Cage Effect Today, Hunter College Gallery, New York, NY
Hunters and Gatherers, Cade Tompkins Projects, Providence, RI
American Abstract Artists 75th Anniversary, ParisCONCRET, Paris, France
Never Underestimate a Monochrome, University of Iowa Museum of Art web site: Curated by Mariangeles Soto-Diaz

 2011
ABSTRACTION∞, The Icebox and Grey Area at Crane Arts 
Philadelphia, PA
3, Chazan Gallery, Providence, RI
Fluid, Towson University, Towson, MD and Delaware Center for Contemporary Art, Wilmington, DE; Curated by Susan Isaacs
American Abstract Artists 75th Anniversary, OK Harris, New York, NY
American Abstract Artists International, Galerie oqbo, Berlin, Germany
Printed in Providence; Cade Tompkins Projects, Providence, RI
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Curated by Nancy Green

2010
touch, ParisCONCRET, Paris, France; Curated by Brent Hallard
Julian Dashper (1960-2009): It Is Life, MINUS SPACE, Brooklyn, NY; Curated by Matthew Deleget American Abstract Artists International, Otranto, Italy; Curated by Don Voisine
New Prints 2010/Spring, International Print Center New York, New York, NY
Breakups R Tough, U-Turn art space, Cincinnati, OH
Escape from New York, The Engine Room, Wellington, New Zealand; Curated by Matthew Deleget
Material Desires, Craftland, Providence, RI; Curated by Rebecca Siemmering

2009
Pink is the New Black, Cade Tompkins Projects, Providence, RI
Providence Art Windows, Providence, RI; Curated by Rebecca Siemerring
de/construct II, Providence, RI; Curated by Allison Paschke
Escape from New York, RMIT University, Melbourne, Australia
Abstract Realities, University of Southern Queensland, Toowoomba, Australia

2008
MINUS SPACE
, PS 1 Contemporary Art Center, New York, NY; Curated by Phong Bui
Providence Art Windows, Providence, RI
Editions/Artists’ Books Fair, New York, NY; Curated by Cade Tompkins
Beyond a Memorable Fancy, Elizabeth Foundation for the Arts, New York, NY; Curated by Michelle Levy
touch, Bus-Dori, Tokyo, Japan; Curated by Brent Hallard
American Abstract Artists: Tribute to Esphyr Slobodkina, The Painting Center, New York, NY

2007
Escape from New York, Sydney Non Objective, Sydney, Australia; Curated by Matthew Deleget
All is well that begins well and has no end, 80 Washington Square East Galleries, New York University, New York, NY
Material Matter, Sideshow Gallery, Brooklyn, NY; Curated by Katherine Griefen
Momenta Art Annual Benefit, Momenta Art, Brooklyn, NY
Continuum: In Celebration of 70 Years of American Abstract Artists, St. Peter’s College, Jersey City, NJ

2006
Suitcase,
Bus-dori, Tokyo, Japan
New Prints 2000-2006, International Print Center New York, New York, NY
2Step, Hertfordshire University Galleries, Hatfield, UK; Curated by Petra Bungert
2Step, Kunsternes Hus, Oslo, Norway; Curated by Petra Bungert
Considered Space 5, Art + Design Auction, Design Trust for Public Space, New York, NY
I Can’t Quite Place It, Smack Mellon Gallery, Brooklyn, NY, Curated by Elizabeth Grady
Presentational Painting III, Hunter College Times Square Gallery, New York, NY; Curated by Gabriele Evertz
The Searchers, White Box, New York, NY; Curated by Patricia Maloney
New Prints, Columbia College, Chicago, IL

2005
New Prints 2005 – Autumn, International Print Center New York, New York, NY

2004
4 by 4 by 4
, New Arts Program, Kutztown, PA
There is a Light that Never Goes Out (concerning the spiritual in art),
DUMBO Arts Center, Brooklyn, NY; Curated by Michael Wilson

2003
Art for Fashion
, A Taste of Art – Kaufman Arcade, New York, NY
MINUS SPACE, www.minusspace.com, on-line exhibition

2002
Majority Rules, Free Gallery, Glasgow, Scotland
Once Over, Elizabeth Foundation for the Arts Gallery, New York, NY
The Freight Elevator Project, DUMBO Art Festival, Brooklyn, NY
IPCNY Benefit Exhibition, Sotheby’s, New York, NY

2001
New Prints 2001-Autumn, International Print Center New York, New York, NY
Material History: A Cultural Exploration in Fiber and Glass, Starr Gallery, Newton, MA
The Freight Elevator Project, Downtown Arts Festival, New York, NY
Contemporary Drawings 3D, Visceglia Gallery, Caldwell, NJ
New Prints 2001-Summer,  International Print Center New York, New York, NY

AWARDS + HONORS
2011
The Robert and Margaret MacColl Johnson Fellowship of the Rhode Island Foundation
$25,000 merit award supporting development of new work

2011
BAU Institute, Otranto, Italy
Residency fellowship

2002
Chinati Foundation, Marfa, TX
Visiting Artist residency

EDUCATION
2000
M.F.A., Hunter College, The City University of New York; New York, NY
concentration in printmaking
1990
B.A., Framingham State College, Framingham, MA
magna cum laude, double major: studio art and art history

COLLECTIONS
The Museum of Modern Art, New York, NY; MoMA Library Special Collections
The Metropolitan Museum of Art, New York, NY
RISD Museum of Art, Providence, RI
The Phillips Collection, Washington, D.C.
New York Public Library, New York, NY
Art in Embassies, U.S. Department of State, Washington, D.C.
Blue Cross Blue Shield of Rhode Island, Providence, RI
Fidelity Investments, Smithfield, RI
Hunter College, CUNY, New York, NY
Private collections

LECTURES, PROGRAMS + PANELS
2016
Visiting Critic, Brown University, Providence, RI
2015
Double Take, RISD Museum of Art, Providence, RI
2014
Biennial Book Club, deCordova Sculpture Park and Museum, Lincoln, MA       
2013
Wheaton College, Department of Art, Norton, MA
2012
Hunter College, Department of Art, CUNY, New York, NY
Parsons The New School of Design, Department of Interior Design, New York, NY
2010
Towson University, Department of Art, Towson, MD
2007
Material Matter: The Currency of Abstraction, Sideshow Gallery, Brooklyn, NY
2006
Hunter College, Department of Art, CUNY, New York, NY
2005
International Print Center, New York, NY
2004
New Arts Program, Kutztown, PA

BIBLIOGRAPHY
Cate McQuaid, “Memorials, ethereal and elegiac, at Boston University.” The Boston Globe, February 23, 2016.
Cate McQuaid, “James Cambronne, Lynne Harlow, and Kirk Amaral Snow in gallery shows.” The Boston Globe, July 21, 2015.
Jenny Moussa Spring, “Unexpected Art”, Chronicle Books, 2015.
Elizabeth Keithline, “Lynne Harlow: Big Interventions, Minimal Elements.” International Sculpture Center, November 26, 2014.
Featured Artist.  Outpost Journal, Issue 04/Fall 2014.
Dan Hisel, “The 2013 deCordova Biennial.”  ArchitectureBoston, Spring, 2014
Cate McQuaid, “Cartoony Geometrics, ‘3-D Paintings’ Stand Out at the deCordova Biennial.” The Boston Globe, October 12, 2013.
Thomas Crow. “Best of 2012: Notations: The Cage Effect Today.” Artforum, December 2012.
Bill Van Siclen. “More Than Meets the Eye.” The Providence Journal, May 10, 2012.
Catalogue.  MINUS SPACE en OAXACA,  Oaxaca, Mexico, 2012.
Eva Diaz. “Notations: The Cage Effect Today.” Artforum, Summer 2012.
Gina Mejia.  “Llega arte reductivo con Minus Space.”, El Imparcial, Oaxaca, Mexico, March 14, 2012.
Brent Hallard.  “How Little is Enough.”  Visual Discrepancies, May 25, 2009.
Bill Van Siclen.  “It’s Worth the Walk.”  The Providence Journal, April 2, 2009.
Grace Glueck.  “Presentational Painting III.”  The New York Times, April 7, 2006.
Stephen Maine.  “Painting Presentation.”  ArtNet, April 7, 2006.
Mark Rifkin.  “Presentational Painting III.”  This Week in New York, March 29, 2006.
Catalogue. Presentational Painting III.  Hunter College/Times Square Gallery, New York, NY, 2006;   Essays by Gabriele Evertz, Abbey Ryan and John Cox.
James F. L. Carroll. “Interview on New Arts Alive”, New Arts Program/Berks Community Television, Reading, PA, 2004.
Catalogue.  4 by 4 by 4.  New Arts Program, Kutztown, PA, 2004; Preface by Linda Francis.